Selected Published Writings

2026

Rushing Rivers and Surging Streams,” Exhibition Catalogue Essay, Elizabeth Addison at O’Hanlon Center for the Arts

The Intuitive Hand, The Intuitive Heart,” Gustavo Ramos Rivera Retrospective Exhibition Catalogue Essay, Forthcoming Various Museums, Anne Kohs

Grounded and Rooted,”Review of Ken Goldberg and Tiffany Shlain at di Rosa San Francisco, Roborant Review

Colliding Cultures and Common Language,” Review of Masami Teraoka – From Here to Eternity at Catharine Clark Gallery, San Francisco, Roborant Review

2025

Shifting Sands – Paul Kos and Isabelle Sorrell,” Roborant Review

Richard Misrach: Roaming the Deserts and Plumbing the Seas,” Roborant Review

Bruce McGaw Memorial Exhibition,” Roborant Review

When Intuition Rests on the Studied and Assimilated,” Review of Gustavo Ramos Rivera, Arreglos Instuitivos/ Intuitive Arrangements at Saint Mary’s College, Roborant Review

Nancy Genn –A Spirited Nature,” Catalogue Essay, Sonoma Valley Art Museum, Sonoma

2024

A Visual Journey of Forty Years,” Essay contribution to “Kim Thoman – Forty Years of Painting,” Berkeley


2023

Staying Power – Women Artists Forging Through the Decades,” Catalogue Essay, SHOH Gallery, Berkeley

Stilling the Noise to See Within,” Exhibition Catalogue Essay, Richmond Art Center

2022

Bringing the Remote Artist Interview Home – The Bay Area Women Artists’ Legacy Project,” VoCA Journal, Issue 11, Voices of Contemporary Art

Career Documentation for the Visual Artist,” Joan Mitchell Foundation, Co-edited Shervone Neckles-Ortiz and Kay Takeda, Contributor Case Study, New York

The Breakfast Group: Fresh Coffee and a Fresh Start,” Catalogue Essay, Grand Theatre Center for the Arts, Tracy


2021

A Crystal Ball,” Exhibition Essay, Los Medanos College, Pittsburg, California


2020

The Breakfast Group: A Second Cup of Coffee in Carmel,” Jan Wurm, Catalogue essay, Carl Cherry Center for the Arts, California

The Breakfast Group: Virtually in Alameda,” Jan Wurm, Catalogue essay, Gallery K at Rhythmix Cultural Works, Alameda, California


2019

Our Thoughts and Prayers Are with You,” Carl Cherry Center for the Arts, Carmel, Exhibition Catalogue Essay

When Red, Yellow, and Blue Sing,” Carl Cherry Center for the Arts, Carmel, Exhibition Essay

2018

Things Known – From a Walk in the Park to a Walk in the Woods,” Saint Mary’s College Art Museum, Foad Satterfield Catalogue Essay

You'd Be Prettier If You Smiled – Identity, Gender, and Dissonance,” Carl Cherry Center for the Arts, Carmel, Exhibition Essay

The Breakfast Group: The Liberty of Jive – the Art of Java,” Exhibition Catalogue Essay, Liberty Arts, Yreka, California


2017

Storied Paper,” Jan Wurm, Exhibition Essay, Carl Cherry Center for the Arts, Carmel

Joan Brown: In Living Color,” Richmond Art Center, Exhibition Catalogue Essay

Marking Space,” Richmond Art Center, Exhibition Catalogue Essay


2016

Making Our Mark,” Richmond Art Center, Exhibition Catalogue Essay

Terry St. John: Close Views & Distant Vistas,” Richmond Art Center, Exhibition Catalogue Essay

David Park: Personal Perspectives,” Richmond Art Center, Exhibition Catalogue Essay

Outfitting Dreams and Dressing Our Wounds,” Exhibition Essay, Carl Cherry Center for the Arts, Carmel

Lewis Watts: New Orleans,” Exhibition essay, Richmond Art Center


2015

Esther Wendt,” Introduction to Master's Thesis, Graz, Austria

Mildred Howard: Spirit & Matter,” Richmond Art Center, Catalogue Essay


2014

Closely Considered – Diebenkorn in Berkeley,” Richmond Art Center, Catalogue Essay

The Breakfast Group- java & jive,” Richmond Art Center, Catalogue Essay


2013

The Breakfast Group- on the Road to Carmel,” Catalogue Essay

No Naked Nudes,Women’s Studies Journal, Claremont Colleges*, Routledge

A Cut Glass, Steel-heeled Dance,Women’s Studies Journal, Claremont Colleges, Routledge